Images of Blue Spine

The Blue Spine installation at the Mitchell Library on Saturday 19th June 2010

The Blue Spine installation at the Mitchell Library on Saturday 19th June 2010

On Saturday 19th June, Shauna McMullan presented her Blue Spine installation at the Mitchell Library. Over 500 books spanned the Jeffrey room, each with a blue spine, written by a woman and donated by women from across Scotland.

Visitors to the Blue Spine installation

Visitors to the Blue Spine installation

The books made a fascinating and illuminating display, covering a whole range of subjects, with fiction, non-fiction and poetry – choices both popular and obscure, and very often personal. A list of the books, and those who contributed, is available to download:

Download: Blue Spine Book List (pdf)
Download: Blue Spine Contributors (pdf)

Many of the contributors were able to take part in a photograph of the exhibit in the afternoon.

Blue Spine contributers at the installation

Blue Spine contributers at the installation

More images of the Blue Spine installation are available on Flickr, or you can watch a slideshow below.

Shauna spoke to Radio Scotland’s Book Cafe about the Blue Spine project – broadcast on 28th June, it’s available for listening on the BBC iPlayer until the end of this week.

Photographs by Alan Dimmick.

Nicky Bird’s Unsorted Donations

After months of research in the Glasgow Women’s Library (GWL) Archives, group discussions, individual interviews, and sound recordings, Nicky Bird is ready to present her new work: Unsorted Donations.

Unsorted Donations is not your usual art exhibition open to all; it is a unique listening experience. The GWL Archives provide a curious setting as visitors tiptoe through the maze of cardboard boxes and wooden pallets, inhaling the dust of historic artefacts, eyes gradually becoming accustomed to the shadowy light. With the use of hidden speakers scattered throughout the space, Nicky Bird violates the standard codes of Archive etiquette by embedding sound into the setting.

Suggesting the importance and poignancy of the GWL’s yet-to-be-catalogued Archives, Unsorted Donations is not only a surprising and haunting experience – it is a truly significant documentation of the lives and histories of diverse women in Glasgow.

Unsorted Donations is part of GWL’s Making Space project, funded by the Scottish Arts Council. If you would like more information about the project, please contact Glasgow Women’s Library at info@womenslibrary.org.uk or by phoning 0141 552 8345. Thanks.

Unsorted Donations invitation

Unsorted Donations invitation

Blue Spine exhibition – 19 June 2010

Shauna McMullan and Glasgow Women’s Library are proud to present the exhibition of Blue Spine in the Jeffrey Room at the Mitchell Library, Glasgow. It is a one day installation on Saturday 19th June, open from 11am-4pm. If you contributed to the Blue Spine project, you are invited to take part in a group photograph at 3pm in the Jeffrey Room.

Blue Spine is a collective project, involving contributions from hundreds of women across Scotland. If you would like more information, please follow this link: http://makingspace.womenslibrary.org.uk/2010/03/31/blue-spine-invite/

This is a free event and booking is not necessary, but we would appreciate if you could let us know if you are coming, either by phone (0141 552 8345) or email (info@womenslibrary.org.uk). Thank you.

Archive Hour revisited

In my previous blog on Nicky’s project, I wrote about the unique sounds of the Women’s Library in terms of archive ambience, the gentle rhythms of library labour, the steady buzz of human passage. Nicky is interested in creating a sound archive of the Women’s Library, so recording these familiar noises was the most obvious place to start.

What next?

Which sounds would we say help to sum up the Women’s Library? Which sounds deserve a place in the Women’s Library archives?

Let me start by saying: I am not going to open a discussion on archives in this blog. Firstly, because my knowledge of archives and archival theory is limited to what I have learned from Hannah; secondly, because such a discussion would require its own blog, perhaps its own website (sorry Helen!). But it is important to touch on why our archives exist – whose histories do they record and preserve? What treasures do they hold in their controlled-temperature-cool embrace?

Glasgow Women’s Library is rather pleased with our collection of feminist badges from the 70s and 80s; we tell anyone who’ll listen about our umbrella stand that was painted by incarcerated suffragettes; we are appropriately proud of our own beginnings and the necessary actions taken by our founding-mothers in their ongoing fight for women and equality.

What’s missing?

But there is a glaring absence – even in this appallingly patchy catalogue. I have not listed YOU amongst our prized possessions: your stories, your personal achievements, your contributions to Glasgow Women’s Library’s remarkable history. We would be nothing without you, and we believe that your stories are invaluable additions to our archives.

After spending time at the Library, Nicky understood that no sound archive could be complete without including recordings of GWL women. Tightening the links between the archives, our learners and library users, and their personal lives, Nicky decided to ask the Making Space group the following questions:

If you had to pick one object from your personal possessions to save, what would it be and why? It can be anything as long as it holds a story for you that you are willing to share.

If you had to pick one object from your personal possessions to donate to the GWL archives, what would it be and why? It can be anything as long as it holds a history that you feel is important.

Is there something you wish you had kept, but didn’t?

What did we learn?

I am sure you can imagine the rich and varied answers Nicky received, all of which were captured to be used in her work. It was wonderful listening to the women sharing family histories and personal memories; learning so much about each other in a few hours. What was particularly interesting was that however different our backgrounds and life experiences (and we really were a diverse bunch), the objects that we treasured had lots of similarities. Common to us all included: items that our grandmothers used or wore; photographs; crafts; many mementos of the work that women do and have always done. It is worth noting that almost all of us brought in objects relating to our female relatives, though this was not a requirement stated in Nicky’s questions.

So?

One of the happy results of these exercises is the feeling that we all have something worthwhile to share; we all have interesting or admirable relatives, whether they were spies, seamstresses, schoolteachers, stay-at-home-mums, or scandalous sexpots! Maybe your great-grand-aunt didn’t change the course of world history, but she made a difference to your life, and you have made a difference to us. In A Room of One’s Own, Virginia Woolf writes: “we think back through our mothers if we are women” – I hear this maxim echoing through the GWL archives, it is the background whisper in Nicky’s sound work.

Making Space group meeting

Making Space group meeting

Book Art

A wonderful consequence of Shauna’s Blue Spine project is the many, many questions it has inspired.

When listening to a group of women discuss the project in the GWL kitchen, one remark in particular really made my ears prick up – an expression of confusion at the idea of treating a book as an object, a visual form, a blue spine! I sensed an undertone of reluctance at the idea, and it made me think.

Many people consider the book to be a precious object, and are horrified at the slightest mention of dog-eared pages or scribbled notes in margins. In fact, there are books on how properly to handle books; chapters and chapters describing in loving detail how to hold your book, how to turn the pages, written with such sensual affection I felt mildly disturbed upon reading.

This reverencing of books may also be cultural – I have a childhood memory of dropping a book on the ground and being instructed by my conscientious older cousin (by 6 months) that a dutiful Indian would kiss the fallen book as a sign of apology and respect. After that, I tried apologising to every book I wronged, but it became impossible as I acquired terrible habits of dropping books, standing on them, throwing them, writing all over them, leaving them in precarious towers on the floor, getting them wet, smearing chocolate on the pages…

I confess I consider most books to be safe-boxes for their precious goods – textual or pictorial or musical contents that will not be destroyed even if the container is. (Of course, first editions, small press publications, antiquarian books, books that hold sentimental or historical value, are a different matter.) Books aren’t disposable objects, I acknowledge where they came from and what it took to produce them, but they are meant to be used well and enjoyed.

Art-books are objects in a wholly different sense to the latest edition of Pride and Prejudice, books I certainly would not read in the bath! They are usually unique, frequently hand-crafted, almost always enchanting. They are art objects, comparable with paintings and sculptures, and must be treated with similar care.

Art-books (or bookworks) are books made by artists that are objects by nature; what is extraordinary about them is that many artists base their objectifications of the book on the book’s content. In doing so, they create an intrinsic link between the book and its insides (body and soul). A good example is book artist Su Blackwell, who constructs 3-dimensional illustrations of the books she works with:

Su Blackwell - Through the Looking Glass

Su Blackwell - Pandora opens box

This is just a taster of book-art, more examples to follow…

Blue Spine: An invitation

As part of the Making Space project, Shauna McMullan is creating a single, long, blue, line of books borrowed and collected from women throughout Scotland.

You are invited to take part in this artwork.

Blue Spine books

Can you lend a book to the Blue Spine collection?

Your book needs to:

  • Have a blue spine or have blue somewhere in the spine &
  • Be written by a woman

You will be invited to celebrate the opening of the artwork and to see your book as part of this collection in The Mitchell Library in May 2010. Following the exhibition your book will be returned to you with a numbered bookmark enclosed, recognising your book’s place within this collection. Your book will need to be borrowed until August 2010 and it is important to include a note of your name, address and contact details with your book.

Please send your book to Blue Spine Collection, Glasgow Women’s Library, 81 Parnie Street, Glasgow, G1 5RH – or drop it off at the Library.

If you have any questions about the Blue Spine collection, please contact us or email Shauna on shauna.mcmullan@womenslibrary.org.uk

Making Space: Archive Hour

If you have been to Glasgow Women’s Library you will know that it is a treasure trove of historical, literary, feminist artefacts, and more. Last autumn we had the monstrous task of cleaning and clearing out the library (an ongoing task, I might add), and made some peculiar discoveries. Lurking in the depths of the archives were sealed jars of water, a bag full of clip-on earrings, handbags, musical instruments, curtains, old socks, and a giant inflatable snowman. It just reminded me that GWL is like no other library, and all the better for it.

The Big Tidy

When Nicky Bird, artist-in-residence, came to GWL, she was instantly drawn to the archives. She spent some time with Hannah and the archive volunteers, observing their processes – opening boxes, cataloguing, wrapping, and re-boxing. She became aware of a rhythm in their work: the repeated sounds of paper being folded, cardboard boxes being slashed open and sealed shut. The more time Nicky spent in the space, the more she noticed that there was something unique about the GWL archives – the noise! There is a constant hum of walking, multi-lingual talking, boxes dragging, doors slamming, phones ringing, buzzer buzzing…

When Nicky asked me to help her with her new project – creating a sound archive – I could not wait to start experimenting. In phase one, we practised recording sounds close-up, including paper folding, badge making, water dripping, and the lift. It was interesting to hear how alien these very familiar sounds became when taken out of context; especially the lift, which sounded like some raging mechanical monster lurching after you.

As Nicky is in Australia for a month, she asked me to continue the recordings for her. We decided on set days and times in which to place the Marantz recording device somewhere within the archives and set it to record for an hour at a time. When she returns, Nicky will have hours of material to experiment with, and I cannot wait to see (or hear) what happens next.

If you have been in the library recently, you may have noticed some information posters about the project. If not, here are the details:

MAKING SPACE: ARCHIVE HOUR

We know that the Glasgow Women’s Library is a unique place with a special atmosphere made by the women who work and learn here. Throughout February we want to try to capture this atmosphere by making sound recordings of the library. This poster will tell you when and where the recordings will take place, and also tell you more about what is involved.

When?
The recordings may take place on Wednesdays, Thursdays & Fridays between 10-11 in the morning and 2-3 in the afternoon. Look out for a notice that says “Recording in Progress.”

Do I have to keep quiet?
No: Carry on as normal. If you use your mobile phone when the “Recording in Progress” sign is up, go into the kitchen where you won’t get recorded. Any mobile phone call that is accidentally recorded will be cut from the recording.

Will my voice be identified?
No: As the recording machine is in the archive. If anyone’s voice does come out clearly on the recording, we will ask your permission to keep it in the recording. It will be easy to remove from the recording.

Can I say no to the recording?
Yes: Of course. We don’t want to stop anyone enjoying the library. See Nisha and she will turn the recorder off.

What will the recordings be used for?
The Making Space Project – One of the artists, Nicky Bird, is working with staff and volunteers to create a sound archive of the library. Extracts of the Sound Archive will be played first to the Making Space Focus Group to help decide what happens to the recordings next.

*** What sounds do you notice in GWL? If you could sum up GWL in a sound or object, what would it be? ***

If you would like any more information about this project or Making Space in general, please leave a comment below or phone us on 0141 552 8345.

‘Travelling the Distance’ and the Scottish Parliament

After a few weeks of revising plans, pleading emails, panicked phone calls, the Making Space focus group and the Political Literacy group made it to Holyrood…

Travelling the Distance

The aim of the day was to see ‘Travelling the Distance’, an artwork by Shauna McMullan, one of our two wonderful artists-in-residence. It is made up of 3 large slabs of porcelain, inscribed with 100 quotations about inspiring women. Shauna travelled up and down Scotland gathering the quotations, and getting to know the women who wrote them; ‘Travelling the Distance’ takes us on the journey with her. Celebrating stateswomen, artists, workers, activists, teachers, mothers, sisters, friends, it reminds us of the women who have inspired our own lives.

The quotations are inscribed in the handwriting of their various authors. Looking at the sculpture, you feel an intimate connection to the women writing, and the women written about. However disparate the women are, however distinct their stories and achievements, they are all connected within the artwork. Shauna has created a lineage of Scottish women; although she had to stop for practical reasons, the tree of connections does not end with the artwork. It is an open house, no woman is unworthy of inclusion, we are all written in the inscribed words.

Travelling the Distance

Travelling the Distance

I think most of us who have seen the artwork or read it in book format will have a favourite line, that seems to speak directly to us, that sticks in our thoughts. I can still hear Jean Girdwood (GWL media representative) roaring with laughter as she read aloud the quotation: “I’m really very nice inside; it’s just the presentation that’s gone wrong!” It is not my favourite line in the book, but it is now imprinted in my memory, connecting ‘Travelling the Distance’ to a woman I know, to a time, to a place.

The Blue Spine project

Shauna is particularly interested in mapping, and the forthcoming ‘Blue Spine’ project – commissioned by Glasgow Women’s Library – will create a new map of women in Scotland, through a collection of books categorised according to Shauna’s own system. You are invited to participate in this artwork by contributing a book (which will be returned) that meets two requirements: that it has a blue spine; that it is written by a woman. If you are interested in taking part, or would like more information, please email shauna.mcmullan[at]womenslibrary.org.uk or contact the Library.

Blue Spine

Blue Spine

Thank You

Thanks to Syma and the Political Literacy ladies, who very kindly allowed us to share their visit (and their bus). Thanks to Laura’s uncle, who booked us a beautiful Committee Room to hold our discussions of ‘Travelling the Distance’ and Shauna’s new ‘Blue Spine’ project. Thanks to the Visitor Services team, who gave us a customised tour of the Parliament – an ark of a building, filled with open spaces and intricate nooks; flushed with light and astonishing views of nature and art; flecked with details and architectural riddles (controversies aside, I loved the mish-mash approach!). Thanks to the Scotland on Sunday for our mention. Thanks to Shauna, Nicky, and Fiona, and to all of the women who attended, who made it such an enjoyable and memorable day!

Say Cheese!

Say Cheese!

Introducing Making Space

Did you know there are only 3 statues of women in Glasgow? Find out what GWL is doing to address this imbalance, and how we are contributing to the exciting world of public art, by getting involved with the Making Space project.

Towards a new public artwork for Glasgow

Where are all the statues of women in Scotland? Why are there no street-names commemorating great Scottish heroines? Why are the landmarks of women’s achievements ‘invisible’ in our civic landscape?

Funding from the Scottish Arts Council’s Public Art Fund has enabled the appointment of three new team members to GWL to begin work on the Making Space project, inspired by Glasgow Women’s Library’s planned move to the prestigious Mitchell Library. The team comprises internationally renowned artists Nicky Bird and Shauna McMullan, and Project Co-ordinator and Adviser Fiona Dean.

Over the next 6 months Nicki, Shauna and Fiona will be working with work with Library users and learners, as well as volunteers and staff, to research the possibilities of a new public artwork.

We would love to know what you think about our Making Space project. Please give us your comments here and across the site, or can contact us by phone or email. This project is by, for, and about women in Scotland, so we need you to get involved!

More information in the Making Space Press Release